SHUKI FRIEDMAN PRODUCTIONS
Kedma (2002)
1h 40min | Drama, War
May 1948. Battles are raging in Palestine between the Jews and the Arabs. In two weeks, the British mandate will come to an end and they will leave the country. A rusty cargo ship, the Kedma, is on its way to the Promised Land. Hundreds of Holocaust survivors from all over Europe are packed aboard.
May 1948. Battles are raging in Palestine between the Jews and the Arabs. In two weeks, the British mandate will come to an end and they will leave the country. A rusty cargo ship, the Kedma, is on its way to the Promised Land. Hundreds of Holocaust survivors from all over Europe are packed aboard. On a beach in Palestine, soldiers of the Palmach - the clandestine Jewish army - wait to welcome them, whilst British soldiers intend to stop them disembarking. Nevertheless, a small group of men and women manages to escape to the hills and finds itself in the midst of the battle for the road to Jerusalem.
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"How does one make fiction out of a founding myth? For America, Hollywood invented the western. For Israel, Amos Gitai shot Kedma. (...) Since he does not really go in for nationalism, he makes us look at a few of the black holes into which the Middle East is falling. To tell us that when Israel was founded in 1948 - an incredible attempt at turning a people's fate into destiny - they were met with an even crazier reality. And Gitai, impressively melancholic, spares no one: neither the British soldiers nor those of the Palmach, the clandestine Jewish army. (...) The situation called for a totally new nation, not just another State. Gitai also underlines this point: the Israeli issue is not the Jewish issue. And utopias rarely end happily. As for the Arabs, the other great group of displaced people in the film, Gitai does not grant them any extra heroism or make martyrs of them. Yussuf, an old peasant harassed by Jewish soldiers, starts vociferating (...) Later, Janusz the Jew, dazed by the fighting, starts yelling (...). Always the same thing, in this nightmare, soliloquy for soliloquy." Gérard Lefort, Libération, May 17, 2002
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Cast Andrei Kashker, Helena Yaralova, Yussuf Abu-Warda, Moni Moshonov, Juliano Mer-Khamis, Menachem Lang, Sendi Bar, Tomer Russo, Liron Levo, Roman Hazanowski, Dalia Shachaf, Keren Ben Rafael, Sasha Chernichovsky, Rawda Suleiman, Gal Altschuler
Director Amos Gitai
Screenplay Amos Gitai, Marie-José Sanselme, with the collaboration of Marc Weitzmann, Mordechai Goldhecht
Cinematography Yorgos Arvanitis
Production design Eitan Levi
Editing Kobi Netanel
Music David Darling, Manfred Eicher
Sound Michel Kharat, Alex Claude, Cyril Holtz
Costumes Laura Dinolesko
Casting Ilan Moscovitch
Special effects Pini Klavier
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Production Agav Films, Agav Hafakot (Israel), M.P. Productions, BIM (Italy), Arte France Cinéma, Canal+, Eurimages
Executive producer(s) Shuki Friedman, Laurent Truchot
Producer(s) Amos Gitai, Marin Karmitz, Michel Propper
Co-Producer(s) Valerio De Paolis
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Festivals
Cannes: Festival de Cannes 2002 - Official selection
São Paulo International Film Festival 2002 - Press Award
Bangkok International Film Festival 2003